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Films >> Yo, La Peor De Todas (I, The Worst of All) (1990) >>

Herstory in the Making: I, the Worst of All and Feminism
By Irina Negrea

Women were denied knowledge of their history, and thus each woman had to argue as though no woman before her had ever thought or written. Women had to use their energy to reinvent the wheel, over and over again, generation after generation. ... thinking women of each generation had to waste their time, energy and talent on constructing their argument anew. Generation after generation, in the face of recurrent discontinuities, women thought their way around and out from under patriarchal thought." (Lerner qtd in Merrim Modern Women xxiii)
History in Film: Real or Just Reel?
By Audrey Gibbs and Nicole Robertson

Who owns history? When portraying a historical figure, specifically a female figure (of which there is a distinct lack due to either scarcity of existence or insufficiency of acknowledgment in society), film has a responsibility to accurately represent the historical figure whose reputation is at stake. As a medium relating past to present, film possesses the incredible capacity to take ownership of history; the director holds the key to making history real or reel. Film has the power to exalt or distort historical figures to fit the mold of present day ideals. Maria Luisa Bemberg, director of Yo, la Peor de Todas (I, the Worst of All), embraces history and film in an attempt to bring enlightenment to the public...